Roland GP-8 guitar FX for keys / TB MIDI Stuff real-time controller

Recently I bought a Roland GP-8 guitar processor to use as an FX box for keys and other stuff. It only accepts Hi-Z instrument signal, so you’ll need a Lo-Z to Hi-Z converter (I use a Radial X-amp re-amper). Real-time editing isn’t what it should be when using the alpha dial on the Roland, so I built a real-time controller in the TB MIDI Stuff app. Roland sysex has been hard to program, in my experience, but it was really straightforward in the TB MIDI Stuff app.
The Roland GP-8 (1987) is like having 8 BOSS pedals in one rackspace. 6 Of them are analog (dynamic filter, compressor, overdrive, distortion, phaser and EQ) , the delay and chorus are digital. What strikes me the most when you compare it with guitar oriented plug-ins like NI Guitar Rig, is that the GP-8 has much more punch/attack in it’s tone and has a more dense sound. The great thing is that these boxes are really cheap (I bought mine for €50,-)! They sound absolutely great!! My experience with Roland gear from the 80-ties is that they just keep on working, built quality is very good.
For GP-8 / TB MIDI stuff users out there, here’s the template:

GP-8 controller.tbms

Here’s a short demo:

 

The Roland Juno-60 Sample Pack

Juno-60 cover pic

Last year I spend a lot of time making this sample library of the legendary Roland Juno-60 analog synth. And now it’s ready! Over 2 GB in size, more than 2,500 individual samples, 135 multi-sampled sounds and 583 presets. It’s the largest commercially available library of the Juno-60 there is.

The sounds range from fat, punchy basses, funky clavinets, brass and lead sounds, lush strings and pads and much, much more. Also included are the Basic Waveforms (Saw, Square and PWM’s), with and without the built-in chorus. You can use those as building blocks for your own sounds. As opposed to some digital emulations the high end doesn’t suffer from aliasing when chords are played and the low end has that real analog fullness.

The most used parameters from the EXS24 (filter, envelope) can be real time controlled with the pre-configured Smart Controls (in Logic Pro X).

All sounds are recorded with the same high-end quality gear ( Radial DI, Crane Song Spider mic-pre and A/D conversion, Mogami cables)

For more information and demo’s please click here

New Media Music CD: Drama Strings

Drama Strings Front

This CD contains 10 new pieces played with a string orchestra. Additional instruments are piano, harp, marimba and some percussion and drum parts. The music has a open, minimalistic tone, moods are mostly in the suspense, dramatic and melancholic mood. All tracks have several underscores, for more options when editing. All tracks can be freely downloaded from the Music Library on the home page.

New Media Music CD: Delay

Delay front

As you might have guessed, all tracks on this CD have one thing in common: the heavy use of the Delay effect.
These tracks were made to use as background music for documentaries, news reports, etc. Each track has several underscore versions, for more options at the editing stage.

You can download individual tracks from the Music Library player.

3 new Media Music CD’s!

3CD's

1) Arpeggios: tracks based on arpeggios (broken chords). Instruments used are arpeggiated analog synth’s, but also pizzicato strings, marimba and log drums. Tracks are open sounding, supporting, not distractive, great for documentaries and repp’s.

2) Cinematic Pads: tracks based on pads/drones, ideally suited for dramatic content. Tracks are bigger, fuller sounding than on the Arpeggios, but there are various underscore versions of most tracks, so you can easily switch between intensity/mood.

3) Piano Moods: a lot of solo piano tracks, but also a couple of pop oriented tracks (with underscores) and tracks layered with strings. Moods range from tranquil/serene, sad, to tension/suspence.

All tracks can be downloaded for free from the Music Library.

MKB-1000 customized

There’s a pic of my customized Roland MKB-1000 master keyboard! This huge, superbly playing board deserves more than that boring black look:-) The Juno-60 also got some small cosmetic surgery….

Roland JX-10 virtual controller for Logic Pro

The JX-10 is my favorite analog synth for pads and synthstrings and it also does a good job for leads and basses. The thing is (or was) that it was almost impossible to edit the sounds in realtime without the PG-800 programmer. The only way was to look up one parameter at a time in the menu and then turn the Alpha-dial wheel a thousand times to get the sound where you wanted it to be, a lot of button pushing and wheel turning! The MIDI implementation was a disaster but luckily Colin Fraser rewrote the  sysex code for the JX-10, so now it can communicate with MIDI editors/controllers, DAW’s, etc… I still got a copy of Emagic SoundDiver, and I was able to program the JX-10 using a modded JX-8P preset and MKS-70 preset, but it wasn’t really stable. Another downside was that it couldn’t be controlled in real-time in combination with Logic Pro, so I decided to give a try and build a JX-10 editor in Logic’s Environment. Last time I used the Environment was almost 15 years ago, my programming skills are very limited, so don’t expect the editor to be a work of art! I only used faders, no knobs for switching the waveforms, there’s no reading of value’s in the editor, but luckily the JX-10 display tells you what you are doing.

In fact, I build 2 versions of the editor, one that only reacts when moving the virtual faders in the Environment and one that can be controlled by a hardware MIDI controller, in my case the assignable control faders on the Kurzweil K2500. With my limited skills I couldn’t combine those two into one version without very noticeable artifacts (sloppy timing when using more than one fader at one), but you can combine them both. That’s how I use it, because I can only automate 32 parameters of the virtual controller with the K2500, the ones that aren’t controlled by the K2500, can be controlled in Logic by hand that way . Now I can record all changes made in the sound into Logic in real-time, just like you would do when using a plug-in, but now it sounds good too 😉

You can look at the JX-10 as two JX-8P’s in one box, it has literally two JX-8P boards in it. Another thing they didn’t get right at Roland at the time is the way the JX-10 saves it’s sounds. One sound (called patch) build out of 2 tones (1 tone=1 JX-8P). Those tones can be used in more than one sound (patch). So if you save a tone in one patch, other patches using that tone will also change….. If you got the M-64C memory cartridge you can do sysex dumps, so that would be a wise thing to do before you starts messing up great patches. Being two 8p’s, you can only edit one tone at the time,  not a big thing if you’re only editing a sound, but if you’re recording the sysex changes, it would have been way cooler if it could handle both tones at the same time. But still better than turning the Alpha-dial and not recording sysex at all!

I really like the sound of the JX-10, while creating the editor I finally heard the full sonic power of the JX-10. Sometimes you read that people find the JX too slow for basses, but with a few tweaks in the editor I got punchy basses with a lot of weight. It’s so much easier now to get the sounds you want.

I’d be happy to share the JX-10 environment with you. I think you can also use it with the MKS-70 module version of the JX-10 and if you can change sysex code yourself, you can also use the JX-8P (change the 3rd hex nr “36” into “35”, change sysex view into hex). The JX-10 MUST be upgraded with the  rewritten sysex code, version 2.3 (latest version) in order to work.

If you want to program your MIDI controller, please check the “JX-10 CC info” file for the CC numbers.

If you’re a Kurzweil K2500 user you can load the “MIDI_SET.K25” master file into your machine, then all 4 fader banks are automatically ajusted with correct MIDI channel and CC number settings.

Click HERE to download